The poor woman now laid her large, beringed fingers on my arm and was thrusting a letter before my eyes. Her name was Valentine Hugo. I remembered the name as the costume designer for The Passion of Joan of Arc. There it was, in Breton’s unmistakable handwriting: I will love you so long asContinue reading “From Book 3: A Challenge”
Tag Archives: Simone Kahn/Collinet
From Book 3: A Night on the rue Mazarine
Artaud was galvanized after his return to Paris. He wrote to and met with Breton frequently, but something about him was different. Now he had Cécile Schramme, who had waited for him. Everyone noticed the remarkable effect that this young Belgian girl seemed to have on the thirty-nine year-old man. He became energetic, humorousContinue reading “From Book 3: A Night on the rue Mazarine”
From Book 1: Teacher’s Pet
“How can you keep track of so many people?” I asked. I was already thinking how I could devise a deck of cards to remember them all. Soupault, with his lamppost, was the ace, and Desnos was the joker, of course. I figured Artaud for the king, Péret for the knave, and this Simone couldContinue reading “From Book 1: Teacher’s Pet”
From Book 2: Desnos, the Select, and Theatre Alfred Jarry
Author’s note: I have long been frustrated with misinterpretations of Artaud merely as “mad,” a cold person, and a failure. Like Martin Esslin correcting the Beats’ version of Artaud, Kimberly Jannarone unearths the powerful admiration Artaud’s friends and colleagues had for him and I am grateful to her for restoring the Theatre Alfred Jarry toContinue reading “From Book 2: Desnos, the Select, and Theatre Alfred Jarry”
Book 3: Desnos Meets Aube
Author’s note: Many scenes and situations in this series are fictionalized to bring out certain facts and themes. There is no evidence that Robert Desnos ever met Andre Breton’s infant daughter Aube. It is October, 1936 and Artaud is still in Mexico. Jacqueline Lamba and her husband have quarreled and Jacqueline left for a time.Continue reading “Book 3: Desnos Meets Aube”
The Double 